Joining the media Society

Coming out of School without not much community interactions đŸ€­, one of my goals was to enter a club in university. At first I didn’t have any idea where to go to. My hobbies and interests are so out of place it’s hard to find a club that interests me. So, when one of my friends’ suggested that I should join the Media Society of my faculty, I thought, Why not.

Proving my suspicions, once again I had vastly underestimated the concept of human interactions— because contrary to popular beliefs, I am awful at it. But in cases of life choices, I follow a simple and oh-so-effective teachings; “doing it for the plot”. So once again, following that principle, I decided to join the Content Writing team of the Media Society.

This was six to eight months ago—(68 months?? No, six to eight months. And if you didn’t get that reference, I am deeply offended). As a freshman stepping into university, clueless about the culture but eager to be part of something, I was genuinely surprised when I got accepted—though I have no idea how I even made it in. But hey, I did.

Becoming a script writer

When all things are said and done nothing much happened after that. I was a member but I couldn’t participate much to contribute to the club as I hoped because of the studying and the misalignment of my expectations with the group. But I enjoyed being part of it.

So this makes me to fall back as a mere participant but not a contributor, which often makes me uncomfortable. Being part of something and not having something to offer as contribution is quite a bothersome feeling. And because of that I couldn’t muster much courage to interact with my fellow clubmates.

However, time passes and just after the first semester ended, I hear few bits of news of a project in the horizon. About a short film, produced by the club. Now this, piqued my interest, as that falls on the category of “Creative Writing”, one that I am confident in. As I have told you before, one of my main hobbies is writing and story telling.

So finally realising a chance for me to contribute to I decided to join in. The early stages of the project was all over the place, I had no idea what was going on, seemingly they had no idea what was going on, but all in all it was a fun experience. At the start of the project, There were multiple ideas being thrown around, just throwing stuff at the wall and watching for something that sticks. Most of the ideas were great, each party had their own side where they wanted to take the project, and having many talented individuals in the Content Writing team communicate their thoughts and ideas an awesome scene to experience.

With so many ideas floating around, the members were asked to submit any scripts we wanted to pitch to the board. The moment I heard that, I knew I had to give it a shot. But that’s where the problem lay—up until now, I had only ever read scripts; I had never actually attempted to write one. All my writing experience was in storytelling and novel writing.

So when I decided to throw myself into the fray, I quite literally had no idea what I was getting into. But I thought—I’ve never done this before, so how hard could it be? Right?

I was wrong.

A novel script

That day, mistakes were made, and lessons were learned.

What did I learn, you ask? Well, for starters, scriptwriting and story writing are completely different things (who could’ve guessed?). I learned that the hard way when my so-called “script” turned out to be a 20,000-word novel. And not even one that could pass as a full-length feature film—because even those parameters weren’t enough to contain whatever I had written. It felt more like the start of a trilogy.

Once I realized that sailing blind wouldn’t get me anywhere—because, let’s be honest, I had no idea what I was doing—I started researching scriptwriting. That quickly spiraled into a full-blown fixation on movie production for a couple of days. On the bright side, that obsession blessed me with all the knowledge about filmmaking and screenwriting (or at least as much as my brain could hold onto).

Armed with that newfound knowledge, I sat down and speed-ran a movie script over a single weekend. (I was proud of it for about a week before I realized how terrible it actually was). Because when I finished, I thought, Hey, this would make a great short film! Keyword: short. Spoiler alert—it wasn’t short at all.

Just like before, even this attempt couldn’t be considered a short film—though it could have been a feature-length movie. But who has the budget for that? The funniest part? My first draft was over 80 pages, and I had to painstakingly cut it down to barely 50. And even then, I couldn’t bring myself to trim it further without feeling like I was butchering the plot.

But hey, at least that process taught me some crucial things—like structure, pacing, and scene descriptions. So it wasn’t all bad. (Aside from the part where I screamed into my pillow, convinced I was a failure.)

As they say, failure is the greatest teacher. Doesn’t mean it hurts any less.

Still, I wasn’t ready to let go of that script. I wanted the world to see what I had created (what an idiot), so I decided to take a shot in the dark and submit it to the committee. And that’s when the real fun began—because, to my shock, it was rejected. Not surprising in itself, but why it was rejected? That was the real kicker.

Turns out, it wasn’t about the length. No, it got rejected because I wrote it in English. And yeah, that one’s on me for not checking the project criteria properly. But even then, I never once thought to question why it had to be in a different language (I realize my mistake now).

Anyway, they informed me that they wanted to film the movie in our native language, Sinhala đŸ‡±đŸ‡°. And learning that felt like taking a bullet—because, in reality, I cannot write in Sinhala to save my life. If someone held me at gunpoint and told me to write in Sinhala, I’d probably just say, “Go ahead and shoot.” There’s no word other than terrible to describe my native writing. (And personally, I don’t think I can properly translate some of the nuances of English writing into Sinhala with confidence.)

And just like that, my hopes of participating in the project as a writer went up in smoke

But fear not—this saga wasn’t over just yet. A few weeks of back and forth later, the team started looking for members for the production crew. And even if I wasn’t the writer, I still wanted to be involved. Besides, the experience alone was worth it, and I wasn’t about to let all my newly acquired knowledge in movie production go to waste. It was an opportunity I couldn’t just pass up. So, naturally, I signed up immediately.

Fortunately, I got invited to be part of the production team.

While waiting for news on where the project was headed next, my brain decided to cook up another idea for a script. This time, though, I actually took my time—no way was I making the same mistakes again. And thinking third time’s the charm, I wrote it.

And guess what? This time, I finally managed to create a script that I could confidently categorize as an actual short film—(I did it, Mom!). It clocked in at around 8 minutes, with only a handful of characters. And for the first time, I felt truly happy with it.

But then reality hit—I knew this script wasn’t going to see the light of day through the university club. That realization was a bit dispiriting. But for the sake of it, I shared the script with my friends—after all, they were part of the reason I even attempted this in the first place.

To my surprise, they suggested that if we really wanted to, we could make the film ourselves.

Now that’s something I just might keep an eye on for the future.

The day of the auditions

Anyway, while I had to put a pin in that story, time passed once again. And then came today.

Today was an interesting day—because today was audition day for the short film. It had been a while since I found out that a script had been chosen and that the project was moving forward. Now, you’d think that as a member of the production crew, I’d be up to speed on all the details, right?

Well
 you’d be absolutely right. I should be.

But I missed a meeting, so I was completely in the dark about it. Still, I learned that a casting call was happening today, and casting is one of the most crucial aspects of filmmaking. After all, without actors, there’s no movie to be filmed. Since I needed to refresh my memory about production anyway, I did some extra research on the casting process—understanding the logistics, the prep work, and what goes into hosting a proper audition.

But learning about casting is one thing. Experiencing it firsthand is an entirely different beast.

As a writer, when you create a character, you have a crystal-clear image of them in your mind. Writing a character with personality is one thing, but bringing that character to life through an actor? Now that’s nerve-racking. In my opinion, finding the actor—the one who can breathe life into imagination and translate words into a performance—is a delicate, careful process.

And that’s where the casting director comes in.

So, I walked into the audition, took a seat beside the candidates, and simply observed. It was an eye-opening experience. Up until that point, everything I knew about casting was just theoretical—just research and secondhand knowledge. But being there, watching the process unfold in real-time? That was something else entirely.

Of course, not everything went as I expected. But overall, it was a great opportunity to see how an indie production group tackles casting. I can’t lie—there were moments when I had to pause and really think about certain decisions and approaches to the audition. But hey, it wasn’t a total disaster. It was still, by all definitions, an audition.

Watching everything from the perspective of an observer—someone who at least understands the casting process—definitely expanded my knowledge on how auditions should be structured.

But for a rookie production group? Honestly, kudos to them.

(Look at me reviewing their process like I’m some kind of industry veteran 😂)

To be contd.

Anyways that’s all there to that story so far. I am eagerly waiting for the future of this project, and I will be updating you all with all the new developments as they come to. So until then, See you!

PS: In the meantime, you should read “The greatest estate developer”, It’s one of my favourite Manwhas. left